Project: MACHINE DRAWING (Wall Drawing After Lawrence Weiner)
Medium: Industrial Vacuum Sander
Location: Sydney
Date: 2021
Details: Machine Drawing employs the working ethos of the Gutai movement from Japan with a brutal incision into the fabric of the substrate. While altering the medium itself through a performance or choreography, it is the armspan of the maker stretching out from the central axis in a circular motion left and then right, that reveals the textured layers of the gyprock panelling.
see Text to Work
__This work produced in the context of the research project STRAND DRAWINGS, ENTANGLEMENT and the INTERIM ECOLOGY, 2021.
Medium: Industrial Vacuum Sander
Location: Sydney
Date: 2021
Details: Machine Drawing employs the working ethos of the Gutai movement from Japan with a brutal incision into the fabric of the substrate. While altering the medium itself through a performance or choreography, it is the armspan of the maker stretching out from the central axis in a circular motion left and then right, that reveals the textured layers of the gyprock panelling.
see Text to Work
__This work produced in the context of the research project STRAND DRAWINGS, ENTANGLEMENT and the INTERIM ECOLOGY, 2021.
Machine Drawing, 2021
Vacuum sander, plaster walling, steel band. H260cm X W300cm.
Photo by Peter Morgan.
Lawrence Weiner, A 36” X 36” REMOVAL TO THE LATHING OR SUPPORT WALL OF PLASTER OR WALLBOARD FROM A WALL, 1968
Photo by Shunk Kender, courtesy Harald Szeemann Archive, Switzerland.